Drawings

Drawing occupies a central place, serving both as a space for exploration and as a completed form.

But it is not merely a tool: it can also become an achievement in itself. The spontaneity of the initial gesture intertwines with the rigor of reflection, giving drawing its density and coherence. It concentrates the essence of other practices—sculpture, photography, collage, or installation—and conveys their concerns in a synthetic and sensitive form. Each drawing, even when fragmentary, carries the memory of gestures, decisions, and experiments, while opening new perspectives for the continuation of the work.

Thus, drawing becomes both a springboard and a destination, a place of passage and anchoring. It links thought to matter, intuition to form, experimentation to contemplation. In this dual function, it becomes indispensable: a laboratory of ideas and a space of accomplishment, opening and crystallization of the entirety of the practice.