More spontaneously, he appropriates elements taken from their environment for a minimum of intervention, based on the simple constant and the appreciation of natural shapes of stones or wood. Some of them are carried out in situ depending on the context, the weight, the size of the selected element. A ceramic base for a stone evoking its singularity, its mass, its density is reminiscent of the poetry and universality of Suisekis and Zen gardens. Writing, abstract calligraphy on bare wood represents the fibre, and the movements of its structure or a graphite blanket for a disappeared bark becomes a cloudy mirror of our environment.
